'I don’t feel I’m really painting unless my hands are in direct contact with the paint. It’s more fun that way—using your hands, painting with your whole body. And the finished paintings are more powerful too. When I started out, I used cardboard because it was convenient. I could get hold of it anywhere, and it was light and easy to prop up against things. But after a while, I realized that actually it’s the perfect medium for my kind of painting. I love everything about it—the warm feel, the rough cross-section you get when you tear it, the way the paint sticks to the surface. That’s why I’m still using cardboard today' – AYAKO ROKKAKU