Lot 34

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ATTRIBUTED TO JEAN DE COURT, MASTER IC OR JEAN COURTOIS (C.1530-1584), LIMOGES, LATE 16TH CENTURY

The Adoration of the Shepherds, Adoration of the Magi and Visitation

Price Realised GBP 189,000

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GBP 50,000 - GBP 80,000

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ATTRIBUTED TO JEAN DE COURT, MASTER IC OR JEAN COURTOIS (C.1530-1584), LIMOGES, LATE 16TH CENTURY

The Adoration of the Shepherds, Adoration of the Magi and Visitation

Price Realised GBP 189,000

ATTRIBUTED TO JEAN DE COURT, MASTER IC OR JEAN COURTOIS (C.1530-1584), LIMOGES, LATE 16TH CENTURY
The Adoration of the Shepherds, Adoration of the Magi and Visitation
each with the coat of arms of the de Vic family and signed 'I.C.' to the reverse; inscribed ‘.D.MARIAE.ET.ELISABETAE.OCCVRSVS.’, ‘.TRIVM.REGVM.OBLATIO.’ and ‘.NATIVITAS.IESV.CHRISTI.’ respectively
9¹⁄₂ in. (24 cm.) diam., each

The Adoration of the Magi:
Private collection, Rotterdam, circa 1976.
Hubert de Givenchy Collection, Paris.
With Galerie J. Kugel, Paris, where acquired by Yves Saint Laurent and Pierre Bergé.
Their sale; Christie's, Paris, 25 February 2009, lot 527, where acquired by the present owner.

The Adoration of the Shepherds and the Visitation:
Dorotheum, Vienna, 18 October 1994, lot 202, where acquired by the present owner.

B. Descheemaeker, Emaux de Limoges de la Renaissance provenant de la collection de M. Hubert de Givenchy, Paris, 1994, no. 20, pp. 92-95.

COMPARATIVE LITERATURE
S. Baratte, Les Emaux peints de Limoges, Paris, 2000.

This lot has been imported from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.
Please note this lot is the property of a consumer. See H1 of the Conditions of Sale.

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Lot Essay

The coat of arms on each plate are those of the de Vic family, who were originally from Guyenne, and may indicate that they were originally commissioned by Méry de Vic, president of the parliament of Toulouse in 1597 (Descheemaeker, op. cit., pp. 94-95). The present lot represents three of a series of plates from the same service which are still extant, including an example in the Hermitage, St. Petersburg, and five in the Grünes Gewölbe Museum in Dresden.

Enamels signed with the initials ‘IC’ have previously been associated with the artist Jean de Court. However, as Sophie Baratte has pointed out in her discussion of enamels signed 'ICDV', 'IC' and 'IDC' (op. cit., p. 317), the range of styles and palettes within this group suggests that they represent not individual artists, but a series of - likely interconnected - workshops that were producing enamels over a number of decades in the later 16th and early 17th centuries.