Like the painting in the previous lot, the composition of this scene finds a close parallel in the Boston Hadiqat al-Haqiqi, including the presence of an old man leaning on his staff and a man by the stream smoking a hookah. A further example of a composite camel in the Metropolitan Museum of Art, New York (25.83.6).

Both this painting and the previous lot are stamped with an old collect's name written in cyrillic, possibly Mamed Kerimov. This is in line with the likely origins of this painting in Central Asia. Another folio with the same stamp, which possibly comes from the same album, is in the National Museum of Asian Art, Washington D.C. (acc.no.F1907.2), having been purchased in Egypt in 1907.