CIRCA 1ST CENTURY A.D.

Name: A ROMAN MARBLE GOAT
Brand: CIRCA 1ST CENTURY A.D.
Price: 85000.00 USD
Availability: SoldOut

Price Realised USD 106,250

Estimate

USD 60,000 - USD 80,000

Closed: 16 Jun 2020

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A ROMAN MARBLE GOAT

CIRCA 1ST CENTURY A.D.

Price Realised USD 106,250

Closed: 16 Jun 2020

Price Realised USD 106,250

Closed: 16 Jun 2020

Details Lot Essay Related Articles More from

23 in. (58.4 cm.) long

Antiquities, Sotheby’s, London, 29 March 1971, lot 166.
with Paul Wengraf (1894-1978), The Arcade Gallery, London, acquired from the above (Garantiert Echt: A Loan Exhibition to Celebrate an Eightieth Birthday, London, 1974, no. 3).
Paul Wallraf (1890-1981), Cologne and London, acquired from the above by 1974.
Works of Art and Furniture from the Collection of the Late Paul Wallraf, Sotheby's, London, 8-9 December 1983, lot 212.
with Mansour Gallery, London.
Acquired by the current owner from the above, 1988.

Please note updated provennace:

Antiquities, Sotheby’s, London, 29 March 1971, lot 166.
with Paul Wengraf (1894-1978), The Arcade Gallery, London, acquired from the above (Garantiert Echt: A Loan Exhibition to Celebrate an Eightieth Birthday, London, 1974, no. 3).
Paul Wallraf (1890-1981), Cologne and London, acquired from the above by 1974.
Works of Art and Furniture from the Collection of the Late Paul Wallraf, Sotheby's, London, 8-9 December 1983, lot 212.
with Mansour Gallery, London.
Acquired by the current owner from the above, 1988.

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Lot Essay

As J.C.C. Toynbee informs (pp. 165-166 in ), goats grazing peacefully are a common motif in idyllic art. A mosaic panel from Hadrian’s Villa at Tivoli, now in the Vatican, depicts a herd behind a stream in a rocky landscape. Marble statues of goats and other animals also dotted the park around Hadrian’s Villa, conjuring up a peaceful and harmonious landscape replete with Dionysiac references (see pp. 159-160 in T. Opper, ). It is easy to imagine this goat as part of a related sculptural program at a villa of a wealthy Roman. For a related goat from the Torlonia Collection, see no. 441 in P.E. Visconti, .