詳情
SHIOZAKI KEN (B.1972)
The Great Wave and Two Whales, 2021
signed Ken, sealed Shiozaki Ken
paintings mounted as six-panel screen; ink, color, gold and gold leaf on paper
62.3/5 x 13938 in. (159 x 354 cm.)
展覽
'Tamabi DNA - A Genealogy of Contemporary Nihonga, Japanese Painting', Tama Art University, Tokyo, 3 April-20 June 2021
榮譽呈獻

拍品專文

Water rises in a vast spiral, its crest folding inward as two whales surge through the heaving sea. In Shiozaki Ken’s The Great Wave and Two Whales, ocean and creature merge into a single field of motion. The image feels both ancient and immediate, suspended between inherited visual memory and contemporary imagination.
The composition recalls the enduring archetype established by Katsushika Hokusai in Great Wave off Kanagawa (Lot 23). The towering crest and compressed horizon echo the visual logic of that celebrated design, where water gathers into a monumental force poised above fragile vessels. Shiozaki adopts this rhythmic structure yet animates it through the massive forms of whales that appear to generate the wave itself.
Equally important is the direct influence of Utagawa Kuniyoshi on the artist’s visual imagination. Kuniyoshi’s dramatic triptychs (Lot 11) often stage colossal creatures amid surging water and violent storms, amplifying the scale and theatrical drama of Edo prints. Shiozaki’s monumental whales, emerging from turbulent space, recall this tradition of spectacle where natural forms assume the presence of legendary beings.
Japanese folklore and literature long imagined the ocean as a realm of colossal creatures and shifting fate. Medieval tales describe dragon kings ruling submarine palaces, while Edo period whaling manuals and illustrated books record encounters with whales of almost mythical scale. In the late 12th century literary classic Tale of the Heike, waves mirror the Buddhist theme of impermanence, rising and dissolving like the fortunes of warriors.
At the same time, Shiozaki’s visual language speaks fluently to the present. Bold contour, flattened space, and emphatic rhythm recall the grammar of manga and anime. The whales, immense yet stylized, also evoke the cinematic scale associated with the kaijū (giant monster) tradition, embodied most famously in Godzilla (Lot 12).
Within a single image, centuries of oceanic imagination converge as wave and whale move with the same elemental force.

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動漫原點:日本亞文化與古典藝術的重構
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