詳情
walnut
On elaborately turned legs joined by peripheral stretchers
29 in. (74 cm.) high, 80 in. (203.5 cm.) wide, 5214 in. (133.5 cm.) deep
來源
Haslam & Whiteway, Ltd., London.
Acquired by Ann and Gordon Getty from the above in February 1995.
特別通告
Please note this lot will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) at 5pm on the last day of the sale. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services. Please consult the Lot Collection Notice for collection information. This sheet is available from the Bidder Registration staff, Purchaser Payments or the Packing Desk and will be sent with your invoice.
榮譽呈獻

拍品專文

Arts and Crafts designer and architect, Philip Speakman Webb was one of the great collaborative and versatile artists of the movement. Webb met William Morris in 1856, and joined the fam of Morris, Marshall, Faulkner & Co. (later Morris & Co.) in 1861. Webb’s first commission was Morris’ famed home, Red House, in 1859. The model for the ‘Kelmscott’ table was originally designed by Webb in 1875 for Morris’ study in Kelmscott House, Hammersmith. There is a watercolor by Mary A. Sloane ('May Morris in Tapestry Room at Kelmscott Manor', 1910-15), which depicts William Morris' daughter May seated editing the twenty-four volumes of Collected Works by William Morris at a similar table. This picture is held by the William Morris Gallery, Waltham Forest, London. The present lot with its unusual turned legs connected by a stretcher is identical to Webb's design.

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