Estimates do not reflect the final hammer price and do not include buyer's premium, any applicable taxes or artist's resale right. Please see the Conditions of Sale for full details.
Arts and Crafts designer and architect, Philip Speakman Webb was one of the great collaborative and versatile artists of the movement. Webb met William Morris in 1856, and joined the fam of Morris, Marshall, Faulkner & Co. (later Morris & Co.) in 1861. Webb’s first commission was Morris’ famed home, Red House, in 1859. The model for the ‘Kelmscott’ table was originally designed by Webb in 1875 for Morris’ study in Kelmscott House, Hammersmith. There is a watercolor by Mary A. Sloane ('May Morris in Tapestry Room at Kelmscott Manor', 1910-15), which depicts William Morris' daughter May seated editing the twenty-four volumes of Collected Works by William Morris at a similar table. This picture is held by the William Morris Gallery, Waltham Forest, London. The present lot with its unusual turned legs connected by a stretcher is identical to Webb's design.
Related Articles
Sorry, we are unable to display this content. Please check your connection.
More from
The Ann and Gordon Getty Collection: Aesthetic Decoration from Temple of Wings
You have agreed to be bound by the Conditions of Sale and if your bid is successful, you are legally obliged to pay for the lot you have won. The purchase price for a successful bid will be the sum of your final bid plus a buyer’s premium, any applicable taxes and any artist resale royalty, exclusive of shipping-related expenses.
Condition report
A Christie's specialist may contact you to discuss this lot or to notify you if the condition changes prior to the sale.
The condition of lots can vary widely and the nature of the lots sold means that they are unlikely to be in a perfect condition. Lots are sold in the condition they are in at the time of sale.
Overall in good, sound condition, and ready to place. With typical scattered nicks, marks and scratches, consistent with age and use. With some scuffs and water stains to the tabletop, and some areas of fading, as to be expected. One area of the tabletop slightly warped. With an old, repaired split along seam on the top, with butterfly repair to underside, stable. With some scattered minor shrinkage. The casters with some light rubbing, apparently original. With printed and inscribed Ann and Gordon Getty Collection inventory label.