Lot 259
Lot 259
Please note this lot will be moved to Christie’s...
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WILLIAM MORRIS (1834-1896)

A large quantity of 'African Marigold' curtains, 19th/20th century

Price Realised USD 3,024
Estimate
USD 8,000 - USD 12,000
Estimates do not reflect the final hammer price and do not include buyer's premium, any applicable taxes or artist's resale right. Please see the Conditions of Sale for full details.
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WILLIAM MORRIS (1834-1896)

A large quantity of 'African Marigold' curtains, 19th/20th century

Price Realised USD 3,024
Register
Price Realised USD 3,024
Register
Details
printed cotton
Comprising twelve curtain panels of various ages and sizes, together with a collection of variously deconstructed panels and fragments of the same pattern
82 in. (208.3 cm.) long, 109 in. (276.9 cm.) wide, the largest curtain panel
Designed by William Morris in 1876.
Provenance
Renate Halpern Galleries, New York.
Acquired by Ann and Gordon Getty from the above in February 1995 (part).
Property from Ellel Grange; Christie's, London, 22-23 October 1979 (the below grouping).
Anonymous sale; Sotheby's, London, 12 March 1998, lot 345 (part).
Acquired by Ann and Gordon Getty from the above.
Literature
For further information see Linda Parry, William Morris Textiles, New York, 1994, p. 150, pl. 20.
Special notice
Please note this lot will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) at 5pm on the last day of the sale. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services. Please consult the Lot Collection Notice for collection information. This sheet is available from the Bidder Registration staff, Purchaser Payments or the Packing Desk and will be sent with your invoice.
Brought to you by
Nathalie FerneauHead of Sale, Junior Specialist
A Christie's specialist may contact you to discuss this lot or to notify you if the condition changes prior to the sale.

Lot Essay

William Morris (1834-1896) was the leading figure of the Arts and Crafts movement in the second half of the nineteenth century. Inspired by John Ruskin's social criticism and writings on medieval art, Morris and his fellow artists disavowed the low-quality goods produced by the factories of the Industrial Revolution and the production methods that alienated workers from the creative process. They instead set out to return to the traditional methods of craftsmanship in which the designer was the craftsman.

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Condition report

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