Details
Comprising: A twin-handled globular tripod censer and cover, a pair of candlesticks and a pair of gu vases.
censer: 45.5 cm. (1778 in.) high
candlesticks: 35.5 cm. (14 in.) high
gu vases: 32.1 cm. (1258 in.) high
Provenance
George Walter Vincent Smith (1832-1923), Springfield, Massachusetts, acquired prior to 1910.
Property from the Springfield Museums.
Christie's Hong Kong, ‘Imperial Glories From The Springfield Museum’ , 28 May 2021, lot 2902.
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Lot Essay

The term wugong (“five-piece garniture”) refers to a ritual assemblage comprising an incense burner, a pair of candlesticks, and a pair of flower vases (huagu). These vessels, used respectively for the offering of incense, light, and flowers, formed the most common configuration of altar furnishings in the Qing imperial court.

The combination first appeared in Daoist tombs of the Yuan dynasty and became widespread in Buddhist and Daoist temples as well as imperial mausolea during the Ming period. Under the Qing dynasty, wugong sets were produced in a range of materials, with cloisonné enamel examples particularly favored at the imperial court. Their popularity was such that certain porcelain garnitures were later modelled after cloisonné prototypes.

Complete altar garnitures with matching decoration are exceedingly rare. A closely related cloisonné enamel five-piece garniture bearing Qianlong marks, similarly decorated with scrolling lotus motifs, is preserved in the Palace Museum Collection and illustrated in Compendium of Collections in the Palace Museum – Enamels, vol. 3, no. 6. See also a garniture of comparable size and design illustrated by H. Brinker and A. Lutz in Chinese Cloisonné: The Pierre Uldry Collection, The Asia Society Galleries, New York, 1989, no. 267; another similar example was sold at Sotheby’s New York, 31 March 2005, lot 240. A further cloisonné enamel five-piece garniture of the Qianlong period, from the Lizzadro Collection, was sold at Christie’s New York, 21 March 2013, lot 906.

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