详情
14.8 cm. (578 in) and 15.5 cm. (618 in.) wide
来源
G. L. Bevan (1869-1936)旧藏(据标签)
购自伦敦古董商Mallett,1942年7月(据R.H.R.帕默帐本)
雷金纳德暨莉娜.帕默伉俪珍藏,编号555
出版
黄地笔架:伦敦,东方陶瓷学会(The Oriental Ceramic Society), 满清时期珐琅彩瓷(Enamelled Polychrome Porcelain of the Manchu Dynasty 1644–1912),1951年,11页,编号67
展览
黄地笔架:伦敦,东方陶瓷学会(The Oriental Ceramic Society), 满清时期珐琅彩瓷(Enamelled Polychrome Porcelain of the Manchu Dynasty 1644–1912), 1951年5月23日 – 7月21日(附展览标签)
荣誉呈献

拍品专文

Brush rests, also known as brush mountains (bishan), are traditional scholar’s desk accessories used to rest brushes temporarily during the act of writing. As recorded in Zhao Xihu’s Dongtian Qinglu Ji from the Southern Song dynasty, brush rests were crafted in a variety of materials and forms, including black and white jade carved into lofty peaks, bronze cast in the shape of coiled dragons, naturally formed Lingbi stones, and coral branches of graceful and curious beauty. The refined appreciation for brush rests cultivated by the literati of the Song dynasty continued to flourish through the Yuan, Ming, and Qing periods.
These two famille verte brush rests, made during the Kangxi period, follow the traditional five-peaked mountain form, with the central peak rising prominently and the flanking peaks descending symmetrically in height. The flowing contours linking the peaks, adorned with plum blossoms and scrolling floral motifs, display both elegance and vitality. Placed upon a scholar’s desk, they served not only a functional purpose but also offered aesthetic pleasure, inviting the viewer’s imagination to roam freely among mountains and streams.

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