Lot 28
Lot 28
PROPERTY FROM THE WILLIAM S. ARNETT COLLECTION, ATLANTA, GEORGIA
FOUR GLASS SNUFF BOTTLES

18TH-20TH CENTURY

Price Realised USD 3,500
Estimate
USD 2,000 - USD 3,000
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FOUR GLASS SNUFF BOTTLES

18TH-20TH CENTURY

Price Realised USD 3,500
Price Realised USD 3,500
Details
The group comprises a famille rose glass bottle that is decorated with two birds in a landscape; a bottle carved through the brown overlay to the opaque white ground on one side with a blooming branch issuing from rocks, the reverse with a few 'antique' objects; a bottle carved through the red, green, brown, blue overlays to the opaque white ground with various fish above waves and lotus; a bottle carved though the green overlay to the opaque white ground on the narrow sides with a pair of monster-mask-handles, and on the flat sides with two circular panels enclosing figural scenes.
2¼ in. (5.6 cm.) high, hardstone stopper; 2¼ in. (5.6 cm.) high, glass stopper; 2⅞ in. (7.5 cm.) high, hardstone stopper; 2¼ in. (5.6 cm.) high, hardstone stopper


Provenance
William S. Arnett Collection, Atlanta, Georgia, acquired prior to 1971.
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Lot Essay

Born and raised in Columbus, Georgia, William Arnett grew up in the American South during its era of racial segregation. In the early 1960s, shortly after graduating from the University of Georgia, he left the US for London, to work as the European representative of an American manufacturer.

During the mid-1960s he was drawn more eastward, to India, to Southeast Asia, and to the art of China. From 1966 to 1970, Arnett made six extended trips to Asia to study and acquire art with repeated visits to Hong Kong and Singapore to purchase Chinese jade and porcelain. His interest in the totality of Chinese civilization, and his inclusive approach to aesthetics, meant he did not restrict his jade acquisitions to a single epoch or style. He was most interested in artistic continuities across time, from the Shang to the later dynasties. Beginning in September 1973, his Chinese jade collection—some 250 pieces—spent several years on loan to Atlanta’s High Museum of Art.

As a devotee not only of art, but also the beliefs and traditions that inform it, Arnett sought to explore and understand the diversity, as well as the commonalities, of the world’s civilizations. He came to believe art occupies a central place in the self-conception of every culture. As he would later write, “Art, with its ability to unify and transform a population, could be as much a cause as an effect of a great civilization.”

(For Arnett’s full biography, please refer to lot 94)
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The Art of China: Summer Edition