Details
Sugata [configuration]: Shinogi-zukuri with shallow koshi-zori, iori-mune, chu-kissaki
Kitae [forging pattern]: ko-mokume almost muji-hada
Hamon [tempering pattern]: the top two-thirds suguha with deep ko-maru boshi, the bottom some gunome and some togari finishing with yakidashi
Boshi [tip]: komaru boshi
Nakago [tang]: ubu, slight ha-agari, kuri-jiri, one mekugi-ana, shallow suji-chigai yasuri
Habaki [collar]: double-clad, gilt copper
Koshirae [mounting]: the later red lacquered scabbard with black dragonflies, gilt menuki of dragons, iron tsuba with rope pattern edging (fukurin) and with a stylised dragon, two ude-nuki ana [cord holes], possibly Higo school
62 cm. long (blade); 99 cm. long (koshirae)
Machi-haba and saki-haba (blade width at two separate points): 2.9 cm. (machi) and 2 cm. (saki)

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Lot Essay



The blade accompanied by a certificate of registration as a Tokubetsu Kicho Token [Especially Valuable Sword] no. 249406 issued by the Nippon Bijutsu Token Hozon Kyokai [Society for the Preservation of the Japanese Art Sword] on 26th August 1972.

Willem Dolphyn (1935-2016)

Willem Dolphyn was born in 1935 in Antwerp, Belgium. He grew up in an exceptional artistic environment where collecting art and antiques was a way of life. His father Victor Dolphyn was a painter and taught at the Royal Academy of art, and his grandfather, Willem Elsschot, was a well-known Flemish writer.

As a child, during the difficult war years, Willem drew pages full of incredibly detailed war scenes. Later, he earned a living creating illustrations including book illustrations and comic strips. He started his painting career in the sixties and his first exhibition in Antwerp was followed by many others around the world, including London, Monaco, and Japan.

His fascination with miniatures and his incredible eye for detail resulted in his love for the fine detail and precision of Japanese works of art, in particular swords and armour. He bought his first katana at the age of fifteen, which he found in an umbrella stand at the marché aux puces (fleamarket) in Paris. This was the beginning of his large collection that he built up over many years and was later continued by his son. He passed not only his talent for painting on to Walter, but also his passion for collecting.

In 1984, Willem co-founded and chaired the Token Society of Belgium, an organisation dedicated to the study and preservation of Japanese armour, swords, and sword-fittings. He stayed an active member until his passing in 2016.

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