Details
Sugata [configuration]: shinogi-zukuri, shallow tori-zori, chu-kissaki
Kitae [forging pattern]: tight ko-mokume
Hamon [tempering pattern]: wide ko-midare, almost suguha, nioi with some nie
Boshi [tip]: suguha, o-maru with kaeri
Nakago [tang]: ubu, ha-agari jiri, yoko-yasuri
Habaki [collar]: gold
Koshirae [mounting]: a ribbed red lacquer scabbard, fuchi-kashira of shakudo with running demons, the fuchi signed Nanbi, leather-bound tsuka [hilt], iron tsuba pierced and carved with squirrels among grape vine with gilt details, iron kojiri with shakudo and gilt inlays with vine, shakudo kozuka with a warrior on horseback on a bridge, menuki ofgilt snakes
44.8 cm. long (blade); 63.5 cm. long (koshirae)
Machi-haba and saki-haba (blade width at two separate points): 3 cm. (machi) and 2.4 cm. (saki)

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Lot Essay



The mei (signature) of the fuchi reads Nanbi of Takakuwa Nanbi (d. 1837), who lived in Ueda of Shinano Province and then moved to Edo. He belonged to the Nara School and his early name was Shunko and late name Shinboku.

Willem Dolphyn (1935-2016)

Willem Dolphyn was born in 1935 in Antwerp, Belgium. He grew up in an exceptional artistic environment where collecting art and antiques was a way of life. His father Victor Dolphyn was a painter and taught at the Royal Academy of art, and his grandfather, Willem Elsschot, was a well-known Flemish writer.

As a child, during the difficult war years, Willem drew pages full of incredibly detailed war scenes. Later, he earned a living creating illustrations including book illustrations and comic strips. He started his painting career in the sixties and his first exhibition in Antwerp was followed by many others around the world, including London, Monaco, and Japan.

His fascination with miniatures and his incredible eye for detail resulted in his love for the fine detail and precision of Japanese works of art, in particular swords and armour. He bought his first katana at the age of fifteen, which he found in an umbrella stand at the marché aux puces (fleamarket) in Paris. This was the beginning of his large collection that he built up over many years and was later continued by his son. He passed not only his talent for painting on to Walter, but also his passion for collecting.

In 1984, Willem co-founded and chaired the Token Society of Belgium, an organisation dedicated to the study and preservation of Japanese armour, swords, and sword-fittings. He stayed an active member until his passing in 2016.

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