Lot 87
Lot 87
THE DOLPHYN COLLECTION OF SAMURAI ART
A BIZEN WAKIZASHI

SIGNED BIZEN OSAFUNE JU YOKOYAMA KAGANOSUKE FUJIWARA ASSON SUKENAGA, DATED TEMPO HACHI NEN NIGATSU HI (1837), EDO PERIOD (19TH CENTURY)

Price Realised GBP 3,250
Estimate
GBP 1,000 - GBP 1,500
Loading details
A BIZEN WAKIZASHI

SIGNED BIZEN OSAFUNE JU YOKOYAMA KAGANOSUKE FUJIWARA ASSON SUKENAGA, DATED TEMPO HACHI NEN NIGATSU HI (1837), EDO PERIOD (19TH CENTURY)

Price Realised GBP 3,250
Price Realised GBP 3,250
Details
Sugata [configuration]: shinogi-zukuri, tori-zori, chu-kissaki, iori-mune
Kitae [forging pattern]: ko-mokume hada
Hamon [tempering pattern]: o-choji almost reaching shinogi in places and ends in long, straight yakidashi, in nioi
Boshi [tip]: ko-maru with kaeri
Nakago [tang]: ubu, ha-agari, kurijiri, kiku ichi, single mekugi-ana
Habaki [collar]: copper double
Koshirae [mounting]: shirasaya [plain wood scabbard]
48.5 cm. long (blade); 64.7 cm. long (shirasaya)
Machi-haba and saki-haba (blade width at two separate points): 2.9 cm. (machi) and 2 cm. (saki)

Please note this lot is the property of a private consignor.
Special notice
Please note this lot is the property of a consumer. See H1 of the Conditions of Sale.
Brought to you by
A Christie's specialist may contact you to discuss this lot or to notify you if the condition changes prior to the sale.

Lot Essay



Willem Dolphyn (1935-2016)

Willem Dolphyn was born in 1935 in Antwerp, Belgium. He grew up in an exceptional artistic environment where collecting art and antiques was a way of life. His father Victor Dolphyn was a painter and taught at the Royal Academy of art, and his grandfather, Willem Elsschot, was a well-known Flemish writer.

As a child, during the difficult war years, Willem drew pages full of incredibly detailed war scenes. Later, he earned a living creating illustrations including book illustrations and comic strips. He started his painting career in the sixties and his first exhibition in Antwerp was followed by many others around the world, including London, Monaco, and Japan.

His fascination with miniatures and his incredible eye for detail resulted in his love for the fine detail and precision of Japanese works of art, in particular swords and armour. He bought his first katana at the age of fifteen, which he found in an umbrella stand at the marché aux puces (fleamarket) in Paris. This was the beginning of his large collection that he built up over many years and was later continued by his son. He passed not only his talent for painting on to Walter, but also his passion for collecting.

In 1984, Willem co-founded and chaired the Token Society of Belgium, an organisation dedicated to the study and preservation of Japanese armour, swords, and sword-fittings. He stayed an active member until his passing in 2016.
More from
Arts of the Samurai: the Dolphyn Collection