WITH DATE HOREKI JU-ICHI NEN GO-GATSU HI (FIFTH MONTH OF 1761), EDO PERIOD (19TH CENTURY)

Name: A MATCHING SET: A SADDLE AND STIRRUPS WITH HORSE BITS
Brand: WITH DATE HOREKI JU-ICHI NEN GO-GATSU HI (FIFTH MONTH OF 1761), EDO PERIOD (19TH CENTURY)
Price: 13000.00 GBP
Availability: SoldOut

Price Realised GBP 16,250

Estimate

GBP 8,000 - GBP 10,000

Closed: 13 Dec 2017

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A MATCHING SET: A SADDLE AND STIRRUPS WITH HORSE BITS

WITH DATE HOREKI JU-ICHI NEN GO-GATSU HI (FIFTH MONTH OF 1761), EDO PERIOD (19TH CENTURY)

Price Realised GBP 16,250

Closed: 13 Dec 2017

Price Realised GBP 16,250

Closed: 13 Dec 2017

Details Lot Essay Related Articles More from

The saddle decorated in gold and silver takamaki-e, gold foil, kinji and nashiji with Tokugawa mon [wild ginger crests] the front and back against a rhomboid-patterned ground, the stirrups similarly decorated with rhomboids, nashiji interiors, the saddle cushion and stirrup leathers lacquered in gold and black with paulownia, with iron horse bit
Saddle 39 cm. long, stirrups 26 cm. long

Please note this lot is the property of a private consignor.

Please note this lot is the property of a consumer. See H1 of the Conditions of Sale.

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Lot Essay

Willem Dolphyn was born in 1935 in Antwerp, Belgium. He grew up in an exceptional artistic environment where collecting art and antiques was a way of life. His father Victor Dolphyn was a painter and taught at the Royal Academy of art, and his grandfather, Willem Elsschot, was a well-known Flemish writer.

As a child, during the difficult war years, Willem drew pages full of incredibly detailed war scenes. Later, he earned a living creating illustrations including book illustrations and comic strips. He started his painting career in the sixties and his first exhibition in Antwerp was followed by many others around the world, including London, Monaco, and Japan.

His fascination with miniatures and his incredible eye for detail resulted in his love for the fine detail and precision of Japanese works of art, in particular swords and armour. He bought his first at the age of fifteen, which he found in an umbrella stand at the (fleamarket) in Paris. This was the beginning of his large collection that he built up over many years and was later continued by his son. He passed not only his talent for painting on to Walter, but also his passion for collecting.

In 1984, Willem co-founded and chaired the Token Society of Belgium, an organisation dedicated to the study and preservation of Japanese armour, swords, and sword-fittings. He stayed an active member until his passing in 2016.