Gurnard's Head, from St Ives side

Name: ARTHUR HUGHES (BRITISH, 1832-1915)
Brand: Gurnard's Head, from St Ives side
Price: 18000.00 GBP
Availability: SoldOut

Price Realised GBP 22,680

Estimate

GBP 8,000 - GBP 12,000

Closed: 15 Jul 2022

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ARTHUR HUGHES (BRITISH, 1832-1915)

Gurnard's Head, from St Ives side

Price Realised GBP 22,680

Closed: 15 Jul 2022

Price Realised GBP 22,680

Closed: 15 Jul 2022

Details Lot Essay Related Articles More from

ARTHUR HUGHES (BRITISH, 1832-1915)
Gurnard's Head, from St Ives side
signed 'A. HUGHES' (lower right) and further signed and inscribed 'Gurnard's Head/from St Ives side/To Mrs Millar/from/Arthur Hughes' (on the reverse)
oil on board
7³⁄₄ x 12³⁄₄ in. (19.8 x 32.4 cm.)

James H.C. Millar, and by descent to
Mrs Millar.
Anonymous sale; Bearne's, Torquay, 26 June 1996, lot 830.
with Maas Gallery, London, where purchased on 8 October 1996 by,
John Schaeffer, Rona, Sydney; Christie's, Sydney, 15-16 May 2004, lot 301, where purchased by the present owner.

L. Roberts, Arthur Hughes: His Life and Works, Woodbridge, 1997, p. 210, no. 257.2.

This lot is offered without reserve.
Please note this lot is the property of a consumer. See H1 of the Conditions of Sale.

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Lot Essay

Hughes appears to have first visited Cornwall in September 1887. Not having been much of a traveller before then, he found the remote beauty of the county a great respite from the confinement of his semi-rural London studio. He returned to Cornwall several times over the next decade, with his final visit as late as 1909. In September 1889 he described an encounter with John Brett, staying with his family at Padstow ‘making beautiful studies about the ripples and rocks’. (, September 1889, Penkill Papers, University of British Columbia, Vancouver) The influence of the Pre-Raphaelite landscape painter can clearly be seen in this view of Gurnard’s Head, with its vibrant colours and use of reflected light on the water.

Although undated the present work may well have been painted in 1890 when Hughes wrote to Scott from Cornwall that he was ‘enjoying the most heavenly weather and getting a sketch each day…I paint the loveliest skies and the bluest of seas…and there are so many views, I restrict myself to small panels that I can almost, or quite, polish off in a sitting.’ (, Summer 1890, Penkill Papers, University of British Columbia, Vancouver)