The condition of lots can vary widely and the nature of the lots sold means that they are unlikely to be in a perfect condition. Lots are sold in the condition they are in at the time of sale.
This report was prepared by Hamish Dewar Fine Art Conservation in the Christie's warehouse for the purpose of this sale.
UNCONDITIONAL AND WITHOUT PREJUDICE
Structural Condition
The canvas appears unlined and is securely attached to a keyed wooden stretcher. The tacking and turnover edges feature old holes which suggests the painting has been restretched in the past.
Paint Surface
The paint surface has an even varnish layer. There is also an uneven discoloured and degraded varnish layer beneath the more recent transparent application of varnish which is possibly contemporary to the execution of the work. There is a long horizontal line of craquelure running below the upper edge. This appears stable at present. There are two small networks of raised craquelure with associated paint instability within the sky below the centre right of the upper edge and a further very small raised area towards the lower part of the right edge. Inspection under ultraviolet light confirms the discoloured uneven varnish layer which prevents the ultraviolet light from fully penetrating. Inspection under ultraviolet light also shows a few small spots and lines of retouching within the sea in the lower right quadrant of the composition which correspond to an area of degraded varnish, and a small spot of retouching
on the lower part of the right edge which corresponds to the raised craquelure mentioned above. There are areas of dark fluorescence including within the ships. This would appear to be attributable to varnish layers having been disturbed or selective cleaning.
Summary
The painting would therefore appear to be in good condition.
Print Report