Study for 'The Cathedral Scene from Faust: Margaret Tormented by the Evil Spirit'

Name: FRANK CADOGAN COWPER, R.A. (BRITISH, 1877-1958)
Brand: Study for 'The Cathedral Scene from Faust: Margaret Tormented by the Evil Spirit'
Price: 400.00 GBP
Availability: SoldOut

Price Realised GBP 500

Estimate

GBP 1,500 - GBP 2,500

Closed: 16 Dec 2021

Loading details

Try our

FRANK CADOGAN COWPER, R.A. (BRITISH, 1877-1958)

Study for 'The Cathedral Scene from Faust: Margaret Tormented by the Evil Spirit'

Price Realised GBP 500

Closed: 16 Dec 2021

Price Realised GBP 500

Closed: 16 Dec 2021

Details Lot Essay Related Articles More from

FRANK CADOGAN COWPER, R.A. (BRITISH, 1877-1958)
Study for 'The Cathedral Scene from Faust: Margaret Tormented by the Evil Spirit'
pencil on paper
11¹⁄₂ x 9¹⁄₈ in. (29.2 x 23.2 cm.)

Anonymous sale; Christie's, London, 5 June 2003, lot 117 (part).
with Campbell Wilson, Hove, where purchased by the present owner.

Hove, Campbell Wilson, Frank Cadogan Cowper & Arthur Joseph Gaskin, Summer 2004, no. 33.

This lot is offered without reserve.
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
Please note this lot is the property of a consumer. See H1 of the Conditions of Sale.

Conditions of Sale
FAQs
This lot is offered by Christie Manson & Woods Ltd

Brought to you by

Alastair PlumbSpecialist, Head of Sale, European Art

A Christie's specialist may contact you to discuss this lot or to notify you if the condition changes prior to the sale.

aplumb@christies.com +44 (0) 20 7752 3298

Lot Essay

The present drawing is a composition study for Cowper's 1919 Royal Academy exhibit, , sold in these Rooms, 30 November 2000, lot 10. Regarded as one of the last exponents of the Pre-Raphaelite tradition, Cowper's work has a romantic, dramatic feel. As he no doubt knew, had been a favourite subject of Rossetti, as well as artists such as Delacroix and Von Holst. The ecclesiastical setting, with deep shadow pierced by stained-glass windows also recalls the earlier Pre-Raphaelites.