Details
GEORGE JOHN PINWELL, R.W.S. (BRITISH, 1842-1875)
Vanity Fair
signed with monogram (lower left)
pencil and watercolour, heightened with white on buff paper
2312 x 4334 in. (59.7 x 111.1 cm.)
Provenance
The artist's studio sale (†); Christie's, London, 16 March 1876, lot 99 (9 gns to Waller).
Anonymous sale; Christie's, London, 1 October 1973, lot 65.
Literature
G.C. Williamson, George J. Pinwell and his works, London, 1900, p. 44.
Exhibited
London, Deschamps' Gallery, Exhibition of works by the late G.J. Pinwell, 21 February 1876 - 11 March 1876, no. 117.
Special notice
Please note this lot is the property of a consumer. See H1 of the Conditions of Sale.
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Lot Essay

Pinwell was a member of an artistic group known as the Idyllists, who were active in London from the 1850s onwards and bridged the gap between the Pre-Raphaelites and the Neo-Romantics. The group, which included Frederick Walker, John William North, Cecil Gordon Lawson, Robert Walker Macbeth and George Heming Mason, came together in the 1860s while all of the artists (except North) worked in illustration under the wood-engraver Josiah Wood, or at the illustrated newspaper The Graphic.
Pinwell’s work tends to either take scenes of everyday life, or occasionally literary episodes, as its subject matter. The present drawing is a study of the subject that he chose to be his masterwork, but his early death prevented him from progressing it further. It was exhibited in its own right at the posthumous exhibition held at the Deschamps’ Gallery in 1876.

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