The condition of lots can vary widely and the nature of the lots sold means that they are unlikely to be in a perfect condition. Lots are sold in the condition they are in at the time of sale.
Large 1931 photo – creases to corners and edges and a 185mm central vertical crease have creaked the emulsion, some edge splits – one just encroaching on the signature, three chips at the right hand margin, one just biting the image – all these defects now professionally stabilised with Japanese tissue verso. The odd fingerprint, marginal chips to emulsion, light soiling, some silvering to dark areas. The inscription fairly light but legible.
1932 photo – very good condition, minor bumps to corners, old tape residue to edges verso, two spots of old adhesive previously removed part of the credit stamp and notations verso – the paper fragments now restored.
Inman 1937 publicity portrait - old tape to corners, missing upper corner tips, ink notation to lower margin, some scattered creases, ink splashes, soiling and adhesive remnants to margins.
Ivie Anderson – multiple pin holes to corners, minor bumps to corners, otherwise very good.
1937 programme – some spine and edge wear and soiling to wraps, a couple of faint stains to front cover.
1941 photo – cracks, creases, chips and soiling to corners, scattered creasing and craquelure, old tape remnants verso.
Hodges – yellowing to margins, bumps to corners, otherwise good.
Dance card – very good, light soiling and minor bumps to corners.
Print Report