The elegant, tapering, high-shouldered body is covered in a glaze of crushed-strawberry-red color shading to paler areas with some moss-green mottling. The gilt mount at the mouth is stamped 'TIFFANY & CO. 18KT.'
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5 in. (12.7 cm.) high, brass stand
Please note this lot is the property of a private individual.
Samuel T. Peters (1854-1921) Collection.
Louisine Peters Weekes Tcherepnine (1886-1952).
Adaline Hathaway Weekes Scully (1915-1984) and thence by descent.
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This peachbloom-glazed vase, as well as the group of Jun wares at the beginning of the sale (lots 1-5) came by descent to Peter Tcherepnine from the renowned collection of Samuel T. Peters (1854-1921). A director of several coal companies and a trustee of The Metropolitan Museum of Art from 1914 to 1921, Peters was known as a great collector and amassed an impressive and large collection of Chinese works of art. In his obituary the New York Times noted that Peters’ gift of some 400 jades to The Metropolitan Museum of Art in 1912 and 1916 “form a collection probably unsurpassed anywhere.”
Peters was also known as a great admirer of Chinese pottery, Song-dynasty wares, and porcelains. His wife, née Adeline Elder (1859-1943), donated hundreds of pieces from his collection to The Metropolitan Museum of Art in 1926. This gift seems to have been preceded by a loan that was recorded in The Metropolitan Museum of Art ’s February 1927 Bulletin, Vol, 22, pp. 44-47, under the title “An Important Loan of Early Chinese Pottery,” where it was noted that The Met had tried for years to form a representative collection of Song-pottery wares, without success. The author goes on to state (p. 46) that with the addition of the Peters’ loan, the new and aspiring collector can “study the different glazes, the marvelous Sung shapes, and the many varieties as in no other public collection. This happy change has come about through the generous loan by Mrs. Peters from the collection made by her late husband Samuel T. Peters, once a trustee of our Museum and one of the first collectors in this country to recognize the beauty and interest of early Chinese ceramics."