Lot 37
Lot 37
Property From a Private Maine Collection
AFTER DING GUANPENG ET AL, CIRCA 1765

PORTRAITS OF FOREIGNERS, TWO PAIRS

Price Realised USD 10,000
Estimate
USD 12,000 - USD 18,000
Estimates do not reflect the final hammer price and do not include buyer's premium, any applicable taxes or artist's resale right. Please see the Conditions of Sale for full details.
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AFTER DING GUANPENG ET AL, CIRCA 1765

PORTRAITS OF FOREIGNERS, TWO PAIRS

Price Realised USD 10,000
Register
Price Realised USD 10,000
Register
Details
AFTER DING GUANPENG ET AL, CIRCA 1765
PORTRAITS OF FOREIGNERS, TWO PAIRS
each ink and colors on silk
each 1212 x 978 in. (31.7 x 25.1 cm.)
Provenance
Acquired from Benjamin Ginsburg Antiquary, New York, 15 May 1981.
Exhibited
De Cordova Museum, Lincoln, Massachusetts, The China Trade: Romance and Reality, 1979.
Brought to you by
Carleigh QueenthSpecialist, Chinese Export
A Christie's specialist may contact you to discuss this lot or to notify you if the condition changes prior to the sale.View condition report

Lot Essay

These portraits are familiar from the Mottahedeh Album of Foreigners and Minority Peoples of China, sold Sotheby's New York, 7-8 April 1988, lot 67, and partially published in Howard and Ayers, China for the West. Chinese Porcelain and other Decorative Arts for Export Illustrated from the Mottahedeh Collection, New York, 1978. That album was a set of four handscrolls commissioned by the emperor Qianlong in 1750 as a part of an image-compilation project. Titled Illustrated Tributaries of the Qing Empire, the scrolls depict various peoples of the world, including from the "western ocean" (hsi-yang) countries. In addition to the Tributaries, two albums aptly titled Album of Birds and Albums of Beasts were produced. Reflecting the imperial view of China as at the center of all nations, the scrolls also reveal a certain curiosity about those outside the Middle Kingdom and ,as Yu-chih Lai describes, ‘the global circulation of images helped the Qianlong emperor construct his vision of ‘world’ and ‘empire’ in dialogue with the traditional rhetoric of Chinese politics’ (Y. Lai, ‘Domesticating the Global and Materializing the Unknown: A Study of the Album of Beasts at the Qianlong Court,’ EurAsian Matters: China, Europe, and The Transcultural Object, 1600-1800, edited by A. Grasskamp, M. Juneja, New York, 2018, p. 127.).
The figures seen in the present lot are identified in Chinese text as being from the Philippines and Sweden.
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Condition report

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