Details
The turned-up head naturalistically modeled with wide-set, bulging eyes and flaring nostrils beneath long, curved, dark gray horns, his mouth open revealing teeth, pink tongue and flesh-toned interior, his hide picked out in soft, mottled tones of grisaille
1234 in. (32.2 cm.) long

Please note this lot is the property of a private individual.
Provenance
With The Chinese Porcelain Co., New York.
Literature
W.R. Sargent, Chinese Porcelain in the Conde Collection, Madrid, 2014, p. 266
Special notice
Please note this lot will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) at 5pm on the last day of the sale. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services. Please consult the Lot Collection Notice for collection information. This sheet is available from the Bidder Registration staff, Purchaser Payments or the Packing Desk and will be sent with your invoice.
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Lot Essay

While many other animal tureens for export mimicked European ceramic models, the ox-head seems to be a Chinese invention, as there are no known ox-head tureens made by European manufacturers. A romantic symbol of exoticism to Europeans, the ox is the second figure in the Chinese Zodiac, respected for its qualities of industriousness and patience and associated with water, agriculture and spring. Only a very small number of ox-head tureens are known in public collections or have appeared on the art market and are considered to be the most dramatic of the Chinese animal-form tureens with their highly sculptural horns and impressive snouts.
For similar examples from the Sowell and Mottahedeh Collections, see M. Cohen and W. MotleyMandarin and Menagerie Volume I: The James E. Sowell Collection, Cohen & Cohen, London, 2008, p. 178-179 (with stand); and from D. Howard and J. Ayers, China for the West, Vol. II, London and New York, 1978, p. 602.
The Tibor Collection was formed over decades, growing to encompass every category of Chinese export porcelain, from small, charming teawares to massive pairs of important jars. The collector had a deep appreciation for the magnificent porcelains made for New Spain as well as for the lifelike charm and elegance of Chinese porcelain figure and animal models.

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