Lot 86
Lot 86
Property from the Collection of A. Jerrold Perenchio
AN EARLY LOUIS XV ORMOLU-MOUNTED BURR ELM, FRUITWOOD AND MARQUETRY COMMODE

BY PIERRE HACHE, GRENOBLE, CIRCA 1730

Price Realised USD 75,000
Estimate
USD 30,000 - USD 50,000
Loading details
AN EARLY LOUIS XV ORMOLU-MOUNTED BURR ELM, FRUITWOOD AND MARQUETRY COMMODE

BY PIERRE HACHE, GRENOBLE, CIRCA 1730

Price Realised USD 75,000
Price Realised USD 75,000
Details
With serpentine molded liver and gray marble top above two short and one long drawer, each fitted with female terms flanking reeded handles within inlaid foliate spandrels, the shaped apron with acanthus-cast scrolling foliate mount, the sides cross-banded and inlaid with elaborately scrolling foliage, with similarly inlaid carved angles, on cabriole legs ending in acanthus-cast cloven feet, stamped three times HACHE A GRENOBLE
3312 in. (85 cm.) high, 50 in. (127 cm.) wide, 26 in. (66 cm.) deep
Provenance
The Keck Collection from La Lanterne, Bel Air, California; Sotheby’s, New York, 5-6 December 1991, lot 247.
Literature
P. and F. Rouge, Le Génie des Hache, Dijon, s.d, p. 257, no. 115.
Brought to you by
Victoria Tudor
A Christie's specialist may contact you to discuss this lot or to notify you if the condition changes prior to the sale.

Lot Essay

Famed for employing distinctive local burr-woods, the Hache family, established in Grenoble, was the most well-known dynasty of cabinet-makers outside of Paris in the eighteenth century. The first Hache to use the estampille, HACHE A GRENOBLE, was Pierre Hache (1703-76), who produced a variety of both domestic and luxurious furniture in the Louis XIV, Régence, and early Louis XV styles. Working from 1725 in his father’s workshop, he started to use his own stamp upon the death of his father Thomas (1664-1747) and was eventually granted the title Garde et Ebéniste du duc d'Orléans in 1757. After taking over his father’s atelier, Pierre continued producing furniture in the forms and shapes previously manufactured by Thomas, while embellishing them with new types of decoration and inlay variations. The intricate floral marquetry contrasting with the dramatic burl inlay found on this commode is a hallmark of the Hache workshop in the mid-1700s, and can be found on a number of comparable commodes including one sold Christie’s, Paris, 24 June 2002, lot 140 and another sold Christie’s, Paris, 21 June 2006, lot 241. The floral marquetry seen on these commodes is known as à l'italienne and it consists of finely executed delicate rinceaux of flowers. Although this type of decoration was developed by Thomas Hache after his journey to Savoy, where he observed the style and technique of Italian craftsmen, it was perfected and used in conjunction with burlwood by his son Pierre. For a comparable commode, see P. and F. Rouge, Le Génie des Hache, Dijon, s.d, p. 258, no. 116.
More from
The Collection of A. Jerrold Perenchio | Chartwell: An Henri Samuel Commission