Details
The collection of cut-glass decanters and scent bottles featuring etched profile busts of mythological figures, past statesmen and presidents, of varying shapes and sizes, including:

An Apsley Pellatt decanter and stopper set with a sulphide of Cupid, 9 in. (22.7 cm.) high

Two Apsley Pellatt bottles and stoppers set with kneeling angels, 718 in. (18 cm.) high

Two Apsley Pellatt upright mantle ornaments set with portraits of Milton & Shakespeare, 5 in. (12.6 cm.) high

Two silver-mounted flasks, each set with the muse Melpomene or Terpsichore, the later with interior glass stopper and faintly incised with the initials F.A., 6 in. (15.2 cm.) long, the slightly larger

A silver-mounted Aplsey Pellatt flask with interior stopper, set with a coat-of-arms, 518 in. (13 cm.) high

An Apsley Pellatt bottle and a stopper set with a female figure holding a brazier, probably Hygeia, 614 in. (15.8 cm.) high

Seven portrait bottles and stoppers, including Baccarat examples with portraits of Napoleon and Eugène de Beauharnais, and Apsley Pellat examples with portraits of George III, William Pitt, Adam Viscount Duncan, an unidentified gentleman and George Washington, the Washington example with a sulphide set in the stopper as well, 6 in. (15.1 cm.) high, the tallest

A small silver-mounted Baccarat scent-bottle with interior stopper, set with a portrait of Voltaire, 318 in. (7.8 cm.) high

Together with two silver-mounted Baccarat cut-glass scent bottles and stoppers with central enameled gold foil inclusions of either a carnation or the Legion of Honor, 338 in. (8.5 cm.) long, the slightly larger
914 in. (23.5 cm.) high, the tallest
Provenance
The Paul Jokelson Collection.
Acquired from Mallet & Son, London, 16 July 1992.
Literature
P. Dunlop, The Jokelson Collection of Antique Cameo Incrustation, Phoenix, 1991, pp. 34-5, no. 61 (the Legion of Honor scent bottle); p. 50, no. 121 (Voltaire); p. 51, no. 130 (Eugène de Beauharnais); p. 57, no. 162 (Napoleon); p. 85, no. 290 (Hygeia); p. 92, nos. 307 and 308 (Shakespeare & Milton); pp. 98-9, nos. 338, 339 and 341 (Adam Viscount Duncan, Washington & George III); p. 100, no. 344 (the small circular example with small portrait of a man); p. 101, nos. 347, 348, 350 and 351 (Cupid, Melpomene & angels); p. 102, nos. 353 and 354 (Terpischore & William Pitt); and pp. 102-3, no. 355 (coat-of-arms).
P. Jokelson, Sulphides, the Art of Cameo Incrustation, New York, 1968, p. 78, no. 66 (Eugène de Beauharnais).
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Lot Essay

The portraits of Eugène de Beauharnais and Milton are after medals by Franz Xaver Losch and John Sigismund Tanner, respectively. See Dunlop, op. cit., p. 51, no. 130 and p. 92, no. 309.

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