CIRCA 1745, THE BOWL AND COVER, QING DYNASTY, 18TH CENTURY

Name: A LOUIS XV ORMOLU-MOUNTED CHINESE PAINTED ENAMEL POTPOURRI BOWL AND COVER
Brand: CIRCA 1745, THE BOWL AND COVER, QING DYNASTY, 18TH CENTURY
Price: 10000.00 USD
Availability: SoldOut

Price Realised USD 12,500

Estimate

USD 5,000 - USD 8,000

Closed: 16 Sep 2020

Loading details

Try our

A LOUIS XV ORMOLU-MOUNTED CHINESE PAINTED ENAMEL POTPOURRI BOWL AND COVER

CIRCA 1745, THE BOWL AND COVER, QING DYNASTY, 18TH CENTURY

Price Realised USD 12,500

Closed: 16 Sep 2020

Price Realised USD 12,500

Closed: 16 Sep 2020

Details Lot Essay Related Articles More from

Decorated with scrolling vines, blossoming peonies, chrysanthemums and lotus flowers all reserved on a lemon-yellow ground, the domed cover sits on top of a gilt-bronze pierced frieze, the body rests on a later gilt-bronze acanthus molded plinth, the ormolu struck with the 'C' couronné poinçon

6¹⁄₄ in. (15.9 cm.) high, 9¹⁄₂ in. (24 cm.) wide

The Alexander Collection, Christie's New York, 30 April 1999, lot 119.

Conditions of Sale
FAQs
This lot is offered by Christie's Inc

Brought to you by

Victoria Tudor

A Christie's specialist may contact you to discuss this lot or to notify you if the condition changes prior to the sale.

vtudor@christies.com +212 974 4505

Lot Essay

The was a tax mark employed on any alloy containing copper between March 1745 and February 1749.

Throughout the eighteenth century, fitting domestic and imported porcelain and hardstone vases with silver, silver-gilt, and most commonly ormolu mounts became a lucrative practice among the Parisian . However, it is highly unusual to find Chinese enamel objects mounted with ormolu. French enameled metal was sometimes used to substitute expensive hardstone, such as in the case of a pair of Louis XV vases sold Christie’s, New York, 22 May 2002, lot 442, but when objects from Asia were to be embellished with ormolu, the utilized almost exclusively porcelain from China or Japan. Regardless whether the present lot was conceived as a surprising and curious creation or if the enamel was used simply to substitute precious porcelain, the result was a rare and highly unusual object that is seldom offered on today’s art market.