The condition of lots can vary widely and the nature of the lots sold means that they are unlikely to be in a perfect condition. Lots are sold in the condition they are in at the time of sale.

In addition to the catalogue description, in very good condition, scuffs and general wear to the leather binding

(BLACK): lithograph in two colors, on grey Rives BFK paper, 1991, signed, titled and dated in pencil, numbered 23/50 (there were also five artist's proofs), with original certificate of authenticity
Image: 5⅛ x 7 in. (130 x 178 mm)
Sheet: 8 x 10 in. (203 x 254 mm)

(COUPE-RYDING): woodcut in colors, on handmade paper, 1992, signed, titled, dated and numbered 31/50 in pencil on the reverse (there were also five artist's proofs)
Sheet: 12 x 8⅝ in. (305 x 220 mm)

(BURFORD): screenprint in colors, on heavy wove paper, 1993, signed and dated in pencil, numbered 36/50 (there were also five artist's proofs)
Sheet: 11¼ x 8¼ in. (286 x 210 mm)

(MISS): digital print, on museum board, 1996, signed, dated and numbered 28/50 in pencil on the reverse (there were also five artist's proofs)
Image: 7¼ x 7¾ in. (184 x 197 mm)
Sheet: 11⅝ x 8¾ in. (295 x 222 mm)

(WORTHEN): engraving and mezzotint in brown, on wove paper, 1997, signed and dated in pencil, numbered 15/50 (there were also five artist's proofs)
Image: 10¼ x 14⅝ in. (260 x 372 mm)
Sheet: 11⅞ x 16¼ in. (302 x 413 mm)

(ACHEPOHL): etching and hand coloring, on handmade paper, 1990, initialed and numbered 49/50 in pink pencil on the reverse (there were also five artist's proofs)
Sheet: 9¾ x 7¼ in. (248 x 184 mm)