Details
The Budai figure modelled seated with legs crossed, his hat as the cover, a squawking parrot as the spout and a flowering branch as the handle
634 in. (17.2 cm.) high
Provenance
M.G. Kaufman Esq, sale Sotheby's, London, 3 April 1973, lot 45.
Property of a Collector, sale in these Rooms, 20 May 1991, lot 202.
Literature
National Gallery of Victoria, Melbourne, Flowers and Fables, A Survey of Chelsea Porcelain 1745-69, 1984-85, Exhibition Catalogue, cat. no.9.
Exhibited
Margaret Legge, Flowers and Fables. A Survey of Chelsea Porcelain 1745-69, National Gallery of Victoria, 1984, cat. no.9.
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Sale EnquiresCollections: London
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Lot Essay

This fanciful teapot was traditionally thought to have been inspired by a Saint Cloud porcelain teapot,1 however, the Chelsea model differs considerably and it would seem more likely that Nicholas Sprimont, the proprietor of the Chelsea porcelain manufactory, adapted the present model from a Chinese blanc de Chine figure of Budai.

Only four other teapots of this form are known: the example in the Victoria & Albert Museum, London, accession no. C.46&A-1938 (Wallace Elliot collection)2, the example in Colonial Williamsburg, accession no. 1962-83,A&B (Kaufman collection)3 and an example in the collection of the late Mr. and Mrs. McGregor Stewart, sale Sotheby's, London, 13 November 1973, lot 84.

A related teapot, with the spout modelled as a snake, is in the British Museum, London, accession no. 1887,0307,II.12. See lot 78 in the present sale for a tea caddy of similar form.

1. See Klaber and Klaber, Summer Catalogue 2003, no. 1.
2. See Honey, Old English Porcelain, London, 1948, pl. I; Reginald Blunt (Ed.), The Cheyne Book ofChelsea China and Pottery, London, 1973, pl. 4, no. 28 and Glendenning and MacAlister, 'Chelsea, The Triangle Period', English Ceramic Circle Transactions, Vol. I, no. 3, 1935, pl. XII(b).
3. See John C. Austin, Chelsea Porcelain at Williamsburg, Virginia, 1977, p. 18, pl. 2 and Frank Tilley,Teapots and Tea, pl. 15, fig. 54.

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