Although the celestial globe of this pair does not bear the name of Bardin, it was common practice for the vendors of globes to apply their own trade labels over that of the manufacturer. Indeed, this was a matter of course with manufacturer Bardin and the sellers, the Jones's, although in fact very often it was William Jones who had designed the globe in the first place.
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Collections: Including Russian icons and works of art from the collection of John Salant Rodgers
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The condition of lots can vary widely and the nature of the lots sold means that they are unlikely to be in a perfect condition. Lots are sold in the condition they are in at the time of sale.
Overall these globes stand well, are structurally sound, and attractive. They would work nicely in a library. They have typical signs of age and wear, including scattered small losses throughout and fading / darkening to the surfaces throughout. There are old but mostly discrete repairs throughout both, and evidence of repairs and small replacements to the bases, including to the horizon rings and compasses.
Terrestrial globe: With general spotting and areas of discoloration, several small repairs throughout, some discrete splitting to gores, extensive discoloration and repair to Africa in particular where there is some loss of detail. The horizon also with some discoloration and paper splits. Overall, however, a pleasing impression.
Celestial Globe: The poles with some darkening, some repairs with slight detail loss. Some mottling and a repair approx. 5 in. long near North Pole and at equator. Horizon similar to terrestrial. Compass box a replacement.
Overall: the mahogany stands with old restorations, scattered nicks, marks, and tiny losses, previously a polished surface which appears to have been taken back, repairs to the compass boxes and the celestial compass box later.
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