Details
In the Louis XVI style, the rectangular silk-lined top with outset rounded corners above a drawer to one end, the sides mounted with porcelain plaques painted with floral sprays on fluted tapering legs headed with ribbon-tied flower wreath, spuriously stamped twice 'J.H.RIESENER' and 'JME', the underside with metal plaque inscribed HAMILTON PLACE COLLECTION/K.P.G. and with ink inscribed paper label D-55 and with white museum accession number 70DA86
2658 in. (67.5 cm.) high, 2134 in. (55.3 cm.) wide, 14 in. (35.5 cm.) deep
Provenance
Leopold de Rothschild (1845-1917), 5 Hamilton Place, London.
J. Paul Getty Museum; Christie's, New York, 25 October 1991, lot 154.
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Lot Essay

No. 5 Hamilton Place, just off Park Lane in London, was built in 1805 and designed by the architect Thomas Leverton. A fine example of a Georgian townhouse built in that period, the house underwent a major refurbishment carried out by Leopold de Rothschild in the late 1870s-1880s. An Italianate villa on what is now Curzon Street, it was modified by the architect William Rogers from the existing house originally acquired by Leopold's father, Lionel (see P. Prevost-Macilhacy, Les Rothschild bâtisseurs et mécènes, Paris, 1995, p. 342).

The house at No. 5, of grey stone, was particularly tall, and said to have been based on an annexe to the Château de Chantilly. The ground floor incorporated an Italian Renaissance library leading to a dining room with white marble walls and crimson upholstery and curtains. The first floor contained two interconnecting drawing rooms decorated in the Louis XV style bordering a plant-filled conservatory (illustrated in C.S. Sykes, Private Palaces, New York, 1986, p. 305).

A suitable acquisition for the Grand Siècle room this desk probably dates from the third quarter of the nineteenth century when Empress Eugènie's fascination with Marie-Antoinette sparked a fashionable revival of the Louis XVI style.

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