MAURICE BRAZIL PRENDERGAST (1859-1924)
Breezy Common (Breezy Common, Boston)
monotype in colors with hand additions in graphite on tissue-thin wove paper
Image: 10¹⁄₈ x 7⁷⁄₈ in. (257 x 200 mm.)
Sheet: 15¹⁄₂ x 10⁷⁄₈ in. (394 x 276 mm.)
Executed circa 1895-1897.

The artist.
Charles Prendergast, Westport, Connecticut, brother of the above, 1924.
Eugenie Van Kemmel, Westport, Connecticut, wife of the above, 1948.
Davis Galleries, New York, 1962.
Mr. and Mrs. Raymond J. Horowitz, New York, 1962.
Adelson Galleries, New York.
Acquired by the present owner from the above, 2006.

Clark, Mathews & Owens 1659

New York City, New York, Davis Galleries, Drawings by Maurice Prendergast, February 5-March 2 1963, no. 40.
Annandale-on-Hudson, New York, William Cooper Proctor Art Center, Bard College, Maurice Prendergast: The Monotypes, May 1967, no. 29.
New York City, New York, The Metropolitan Museum of Art, American Impressionist and Realist Paintings and Drawings from the Collection of Mr. and Mrs. Raymond J. Horowitz, April 19-June 3 1973, no. 31.
College Park, Maryland, University of Maryland Art Gallery; Austin, Texas, Art Museum, University of Texas; Des Moines, Iowa, Des Moines Art Center; Columbus, Ohio, The Columbus Gallery of Fine Arts; Ithaca, New York, Herbert F. Johnson Museum of Art; Maurice Prendergast: A New Art of Impulse and Color, September 1976-April 1977, no. 10.
New York City, New York, Davis & Long Company, Maurice Prendergast, May 1977, no.10.
New York City, New York, Davis & Long Company, The Monotypes of Maurice Prendergast, April 4-28 1979, p. 25, 94, no. 59, illustrated (p. 25, 94).
Washington, D.C., National Gallery of Art, American Impressionism and Realism, January 24-May 9 1999, no. 34.