Details
Of fluted Corinthian form surmounted by an oval portrait of George III, the base with diaper-cut panels and stepped plinth, with portrait medallions of George IV and Queen Victoria, and a view of Windsor Castle
2734 in. (70.5 cm.) high, 534 in. (14.5 cm.) square, the base
Provenance
Anonymous Sale; Sotheby's, London, 25 February 1994, lot 28.
Special notice
From time to time, Christie's may offer a lot which it owns in whole or in part. This is such a lot.
Please note this lot will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) at 5pm on the last day of the sale. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services. Please consult the Lot Collection Notice for collection information. This sheet is available from the Bidder Registration staff, Purchaser Payments or the Packing Desk and will be sent with your invoice.
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Lot Essay

Apsley Pellatt was a leading manufacturer of glassworks and responsible for one of the earliest patents for crystallo ceramie in 1819, commonly known as glass sulphides. The process involves fully encasing a porcelain-like material in glass, and the term “sulphide” likely comes from the mold maker's use of sulfur in the 18th and 19th centuries.
The firm was started by Apsley Pellatt Sr. (1763 – 21 January 1826) around 1790 when he purchased Falcon Glass House in Blackfriars. His son joined the firm in 1811 and renamed the firm Apsley Pellatt & Co. in 1826. They were the leading manufacturers of sulphide glass, and examples of their work are preserved in the Victoria and Albert Museum and the Corning Museum of Glass. Similar examples of sulphide portraits of George IV and Queen Victoria are cited in P. Jokelson, Sulphides: The Art of Cameo Incrustation, New York, 1968, p. 6.

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Condition report

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View Condition Report