Details
Finely painted and hand-tooled in white slip with a putto emblematic of Love hiding behind a figure emblematic Liberty wearing a Phrygian cap, on a green-ground panel enriched in gilt with stylized floral forms, within further blue borders
1218 in. (30.9 cm.) high; 7 in. (17.7 cm.) wide, excluding the ebonized wood frame
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Lot Essay

The archival records of 1869 document that Louis Solon was both actively employed at Sèvres and independently producing small pâte-sur-pâte vases and plaques. These early works are often signed Miles, an acronym created using his initials.

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