Details
Each modeled seated on rockwork, Cupid with his quiver of arrows at his feet, one finger raised to his lips, Psyche concealing her bow, each on a circular base and raised on a 'bleu nouveau' shaped quatrefoil stand inscribed in Latin to the front either 'Omnia vincit Amor' or 'Et nos cedamus Amori'
1214 in. (31 cm.) high, overall
Provenance
The Hillingdon Collection; Sotheby's, London, 2 June 2005, lot 59.
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Lot Essay

These famous Sèvres figures modeled by Etienne-Maurice Falconet (1716-1791) are aptly known as Les Amours Falconet. Originally conceived by the artist in 1755, his plaster for the figure of Cupid was exhibited in the Salon of that year. Two years later a marble version made for Madame de Pompadour was showcased at the same venue. Subsequent to his appointment as director of sculpture at Sèvres (1757-1766), Falconet adapted his model of Cupid for biscuit porcelain. The companion figure of Psyche was created in 1761 and executed only in biscuit.

Pedestals designed for these two figures also appear as of 1761, alternatively inscribed with single lines taken from Virgil's Eclogues (x, 69): OMNIA VINCIT AMOR for Cupid and ET NOS CEDAMUS AMORI for Psyche or with couplets by Voltaire. Often glazed, the inscriptions can be reserved against a variety of ground colors, most often bleu lapis or bleu Nouveau (also known as beau bleu). They are also known in biscuit, the inscription enameled in blue.

Following the introduction of Psyche, large numbers of this charming pair were purchased by the French elite. Among the most notable figures to obtain these models were Madame de Pompadour, Madame Victoire, and Louis XVI. In 1764, Henri Bertin, then Secretary of State, even dispatched a pair to the Emperor of China.

For an exhaustive discussion of the genesis, sales records and other recorded specimens of this model, see R. Savill, The Wallace Collection Catalogue of Sèvres Porcelain, London, 1988, vol. II, pp. 823 - 834.

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