Details
Each with concave-fronted channeled padded back, scrolled fluted down-swept arms and padded seat covered in close-nailed Aubusson tapestry, woven in wool and silks and depicting slight variations of flowers on an ivory ground and within a rope-tied floral-garlanded border, the arms terminating in milles-raies panels, above a bow-fronted paneled seat-rail and on rosette-headed turned tapering fluted legs and ring-turned tapering feet, each with batten-carrying holes, and with a number inscription including no. 9, no. 10, no. 11 and no. 12, one with further number 5 and further numerals, refreshments to decoration, one with paper label inscribed HOUGHTON HALL
3512 in. (90 cm.) high, 2334 in. (60.3 cm.) wide, 17 in. (43 cm.) deep
Provenance
Almost certainly supplied to George, 4th Earl and 1st Marquess of Cholmondeley (1749-1827) for the White Drawing Room at Houghton after 1792.
By descent until sold, Houghton; Christie’s, London, 8 December 1994, lot 120.
Acquired from the above.
Literature
C. Latham, In English Homes, London, 1909, III, p. 366 (illustrated in situ in the White Drawing Room).
H. Avray Tipping, 'Houghton Hall - III', Country Life, 15 January 1921, p. 69, fig. 8 (illustrated in situ in the White Drawing Room).
H. Avray Tipping, English Homes, Period V, Vol. I, Early Georgian, 1714-60, London, 1921, p. 91, fig. 117 (illustrated in situ in the White Drawing Room).
C. Hussey, English Country Houses: Early Georgian 1715-60, London, 1955, p.79, fig. 109 (illustrated in situ in the White Drawing Room).
G. Worsley, 'Houghton', Country Life, 4 March 1993, p.53, fig.9 (illustrated in situ in the White Drawing Room).
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Lot Essay

HOUGHTON HALL
Houghton Hall, the magnificent Neo-Palladian stately home in Norfolk, was built for Sir Robert Walpole (1676-1745), Britain's first Prime Minister and later Earl of Orford. Building commenced in 1722 to designs now thought to be by the prolific Scottish architect James Gibbs (1682-1754). The architect Colen Campbell (1676-1729) was also involved in its design and Thomas Ripley (d. 1758), the 'Chief Carpenter to the King's Works', supervised the construction. In 1725 Walpole called in renowned architect-designer William Kent to decorate the interior and design furniture for the state rooms. Sir Robert's great collection of Old Masters now forms the core of the Hermitage Museum in St. Petersburg.

THE COMMISSION
This important set of four chairs is from a suite comprising twelve open armchairs, six side chairs and a settee, almost certainly commissioned by George, 4th Earl and later 1st Marquess of Cholmondeley (1749-1827) for the newly re-decorated White Drawing Room at Houghton Hall, shortly following his 1791 marriage to Georgiana, daughter of the 3rd Duke of Ancaster (1714-1778). An intimate of the Prince Regent, the 4th Earl was later appointed Lord Steward of the Household in 1812 and these chairs, with their flowered tapestry and white frames enriched with gold in the Louis XVI 'antique' manner, typified the fashionable goût expounded in the 1780s by George, Prince of Wales, later George IV.

Following the sale of the Walpole pictures to Empress Catherine the Great in 1779, the Green Velvet Drawing Room, originally hung with green silk-velvet, was rehung with green striped hangings which remained certainly until 1792, when they are recorded in the inventory. It was the Prince Regent's gift of the floral-embroidered white silk wall hangings, however, that no doubt instigated the 4th Earl's commission of this suite.

THE ATTRIBUTION
It is, therefore, extremely pertinent that they closely relate stylistically to the oeuvre of François Hervé (fl.1781-1796), 'Cabriole Chair Maker' of John Street. A Parisian emigré menuisier, Hervé supplied much of the seat-furniture for the Prince Regent's Carlton House between 1783-1794, under the direction of Henry Holland and the marchand-mercier Dominique Daguerre, who had established himself in London in 1787 and had acquired 'cabriolet' chairs for Carlton House from Georges Jacob (maître in 1765). Among the group of related seat furniture, the frames correspond most closely with a pair of armchairs, reputedly from Windsor Castle, that was sold anonymously in these Rooms, 21 April 1994, lot 227.

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