Details
STANTON MACDONALD-WRIGHT (AMERICAN, 1890-1973)
Benten
signed 'S. Wright' (lower left); signed again, title inscribed and dated 'Benton/S.Wright/Kyoto 1962' (on reverse)
oil on joined panel
40 x 24 in. (101.6 x 60.9 cm.)
Painted in 1962.
Special notice
Please note this lot will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) at 5pm on the last day of the sale. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services. Please consult the Lot Collection Notice for collection information. This sheet is available from the Bidder Registration staff, Purchaser Payments or the Packing Desk and will be sent with your invoice.
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Lot Essay

Benten, also called Benzaiten, (Japanese: Divinity of the Reasoning Faculty), in Japanese mythology, is one of the Shichi-fuku-jin (Seven Gods of Luck); the Buddhist patron goddess of literature and music, of wealth, and of femininity.

Stanton Macdonald-Wright was born in Virginia and raised in southern California, where he studied at the Art Students League in Los Angeles. As a teenager, he moved to Paris and continued his studies at the Sorbonne, the Académie Colorossi and the École des Beaux Arts. He worked closely with Percyval Hart-Tudor whose teachings on color theory greatly influenced his artistic process. Soon thereafter, he co-founded the avant-garde movement Synchromism with Morgan Russell, which Macdonald-Wright described as meaning ''with color’ as symphony means ‘with sound’, and our idea was to produce an art whose genesis lay, not in objectivity, but in form produced in color’. In 1919, he took a hiatus from painting, only to return to it three decades later in the mid-50s after spending time in Japan as a Fullbright exchange professor. Beginning in 1958, Macdonald-Wright divided his time between Los Angeles and Kyoto.

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