The box japanned in green and painted and gilt with a crane and phoenix before a vase of flowers, the sides with flowers-sprays and pheasants, the interior lined with dark purple silk and fitted with a Sèvres porcelain part tea service, painted with scattered flowers-sprays within gilt dentil rims, comprising: an oviform teapot and cover (théière 'Calabre'), a sugar-bowl and cover (pot à sucre 'Bouret'), a milk-jug (pot à lait 'à trois pieds'), two cylindrical pots and covers (pots à pommade) and two coffee-cans and saucers (gobelets 'litron' et soucoupes), four faceted cylindrical glass tea caddies with chained silver-gilt stoppers, two glass scent bottles and stoppers of compressed form, various items in silver-gilt, including: a fluted saucer, a small flared beaker, a small funnel, a cylindrical patch box and cover, two spoons, another small mixer/spoon, a knife, a two-tone gold thimble, a pair of gilt-mounted scissors and a bodkin, with key
The teapot 4¹⁄₈ in. (10.4 cm.) high
The case 14¹⁄₄ x 12⁵⁄₈ x 6⁷⁄₈ in. (36 x 32 x 17.6 cm.)

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This lavish necessaire de voyage would have been assembled by a marchand-mercier in Paris, sourcing the individual components including: Sèvres porcelain teawares, glass tea-caddies and scent bottles and the various silver-gilt mixing and sewing accessories. Both Simon-Philippe Poirier and Jean Dulac and his wife Madam Dulac, based at the rue Saint-Honoré, are known to have supplied luxury objects such as gilt-bronze furnishings, clocks and porcelain. The box is unmarked but is typical of other similar travelling sets that are attributed to the Martin Brothers, who were active in Paris from around 1711, see the example illustrated by Dr Caroline McCaffrey-Howarth and Rebecca Shaw, Presence, Vincennes and Sèvres Porcelain from a Private Collection, London, 2021, pp. 68-71. The decoration is directly inspired by Chinese and Japanese lacquer and was created by building up several layers of varnish which was decorated and gilt in a chinoiserie style. This luxurious necessaire de voyage is unusually complete and as a treasured item it would probably have been used for display within the home rather than as a travelling tea set.

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Teapot and cover (théière 'Calabre' et couvercle) - of small size, with blue interlaced L marks enclosing date letter M for 1765, painter's mark for Noualhier (l'aîne or possibly le jeune). Minute chipping to finial, possible stained glaze crack to interior of spout, minute wear to gilding.
A milk-jug - (pot à lait 'à trois pieds') - with blue interlaced L marks flanked by date letter M for 1765 and painter's mark for Claude-Antoine Tardy. With minute chip to gilding on tip of one foot. 2⁷⁄₈ in. (7.5cm) high
A sugar bowl and cover (pot à sucre 'Bouret'),- 8.5cm high, blue (blurred) X mark to sugar bowl, the rim of the cover with small chip beneath glaze that occurred at time of manufacture, minute chip to petal of finial.3¹⁄₄ in. (8.3 cm.) high
Two cylindrical pots and covers (pots à pommade) - 6.5cm high: one with blue interlaced L marks enclosing date letter M for 1765, painter's PR mark for Louis-François Prissette, the other with blue interlaced L marks enclosing date letter L for 1764, with unidentified painter's Ge mark, in good order.
Two coffee cans and saucers (gobelets litron et soucoupes)- the first with grey interlaced L marks enclosing date letter M for 1765, the saucer only with BF painter's mark for Mme Bailly (fils). The other with blue interlaced L marks enclosing date letter M for 1765 to cup and painter's Pq mark for Pecquery, the saucer with blue interlaced L marks enclosing date letter M 1765 and with painter's B,F. mark for Mme Bailly (fils).
Overall the porcelain is in very good order, there is some minute wear.
The lock and key are functioning.

Some wear and rubbing to the silver-gilt mounts, which is more noticeable to the stoppers on the glass caddies and bottles, some wear to silk lining, minor tearing, the box cracked across top and restored with some overpainting, with some further cracking and later in-filling to japanning.

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