Details
In the manner of André-Charles Boulle, each with floral and foliate backplate, issuing two scrolling branches, both stamped with the 'C' couronné poinçon
1912 in. (4.5 cm.) high, 11 in. (28 cm.) wide, 8 in. (20.3 cm.) deep
Provenance
With Kraemer, Paris.
Collection of Ezra and Cécile Zilkha; Sotheby’s, New York, 20 November 2020, lot 170.
Special notice
Please note this lot will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) at 5pm on the last day of the sale. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services. Please consult the Lot Collection Notice for collection information. This sheet is available from the Bidder Registration staff, Purchaser Payments or the Packing Desk and will be sent with your invoice.
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Lot Essay

The 'C' couronné poinçon was a tax mark employed on any alloy containing copper between March 1745 and February 1749.

With their swirling arms, acanthus-cast backplates, and differing drip-pans, one of which is in the shape of a daisy, these wall lights relate closely to a pair depicted on plate 8 in André-Charles Boulle's Nouveaux dessins de meubles et ouvrages de bronze et de marqueterie, see H. Ottomeyer and P. Pröschl, et al, Vergoldete Bronzen, Vol. I, München, 1987, p. 61, fig. 1.9.4. Engraved by Mariette and published in circa 1724, this folio illustrates the great variety of furnishings and decorative ormolu object the Boulle workshop was able to produce for its wealthy clients. The presence of the 'C' couronné poinçon is a curious feature of this lot as it would date these wall lights to between 1745 and 1749; a period when these bras de lumière would have been considered out of fashion. It is possible that they were struck with the tax mark because they were sold by a marchand-mercier during this four-year period.

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