詳情
On spreading foot, the mount chased with stylised foliate border, the pear shaped glass body with loop handle, the slightly domed cover with fluted band, the centre engraved with a drinking scene and inscription 'MENSCH BETENK DES ENDE', with fluted ball thumbpiece and foliate handle mount, marked underneath foot and on cover
612 in. (16.5 cm.) high
The inscription translates as 'People pray for the end'.
來源
Edmond (1896-1988) and Jeanne (1906-2000) Levy-Ditisheim, Basel.
then by descent to the present owner.
特別通告
From time to time, Christie's may offer a lot which it owns in whole or in part. This is such a lot.
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榮譽呈獻

拍品專文


Historically, it was extremely difficult to produce a clear, deep red colour in glass as the colour was derived from a precipitate of gold. But In 1679 the alchemist and glass-maker Johann Kunckel (1630-1703), working for the Elector of Brandenburg near Potsdam, appears to have been the first to achieve consistent results in sizeable batches. The use of gold to colour glass may seem strange today, but it should be remembered that both gold and ruby were believed to be empowered with magical properties - the latter bringing strength and health, and safeguarding its owner against sorcery. Kunckel was secretive about the exact processes involved in making ruby glass. Nevertheless, by the end of the century the secret of its manufacture had spread to other parts of the Holy Roman Empire; and during the late 17th and early 18th centuries glass with a deep ruby tint was produced in Dresden and Bohemia, and in Munich and Freising in southern Germany.

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