Details
Tapering cylindrical and on domed foot, the body chased with fruiting foliage between oval cartouches, with allegorical scenes and inscriptions, marked underneath
314 (8.4 cm.) high
4 oz. 2 dwt. (129 gr.)
The scenes and inscriptions are:
'In Manu Belli Finis' which translates as 'the hand will stop the war' featuring arms emerging from a cloud brandishing a victor's laurel wreath and a sword.
'Quotidie Major', translates as 'every day better' featuring a palm tree in a landscape.
'Solus Cor Meum Commovet et Aperit', which translates as 'only he touches and open my heart', featuring an heliothrope turns towards the sun who feeds her.
Special notice
This lot has been imported from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.
Please note this lot is the property of a consumer. See H1 of the Conditions of Sale.
Brought to you by
Paul GalloisHead of European Furniture
A Christie's specialist may contact you to discuss this lot or to notify you if the condition changes prior to the sale.

Lot Essay


The emblems engraved on these beakers are extracted from Jeremias Wolff's book of emblems, Dreyhundert Auserlesene anmuthig und Lehrreiche Sinn-Bilder, Augsburg published in 1716.
Emblems (allegorical illustrations) with accompanying explanatory text, typically morals or poems were popular in Europe during the 16th and 17th centuries. Jeremias Wolff’s (1663–1724) publishing house in Augsburg created volumes of literature, religion, and travel, excelling at producing richly engraved print collections including emblems. By the first decades of the eighteenth century, Wolff’s press had established a firm reputation in the Empire for its specialization in this genre geared toward a broad readership of noble patrons, builders, artists and craftsmen and became staples of princely and private libraries across the Empire.

For an identical beaker see Schliemann et al., Die Goldschmiede Hamburgs, Hamburg, 1985, vol. III, p.148, no. 341.
A similar beaker by Johann Grüno, Hamburg, 1718-38 was sold Sotheby's, London, 1 May 2018, lot 276.

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