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Lot Essay
In the late 1980s, Liu Dahong came to prominence through his vivid and satirical versions of history paintings. Using stylistic languages from both Western and Chinese classical paintings, Liu, in his own and unique voice, presents a new way in illuminating and evaluating the deeper significance of an era’s political ideology.
Through Liu’s imagining and kaleidoscope-like realms, his works, like The New Hundred Scenes in Shanghai, examine China’s cultural history and the dynamic social spaces. Liu’s imaginative capacity shines through in his reinterpretations of cultural landmarks and everyday contemporary scenes in the city, filling them with illusion, fantasy, and dream, signifying the complex heritage inherited.
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Condition report
A Christie's specialist may contact you to discuss this lot or to notify you if the condition changes prior to the sale.
The condition of lots can vary widely and the nature of the lots sold means that they are unlikely to be in a perfect condition. Lots are sold in the condition they are in at the time of sale.
The work was examined in the frame. The sides of the work could not be seen due to the framing status. There are abrasions in all four corners. There is a minute surface irregularity in the lower left quadrant of the third vignette from the top. The canvas undulates slightly in the upper left corner. When examined under ultraviolet light, no inpainting is apparent.
Cost calculator
Lot 705Sale 16313
The New Hundred Scenes in Shanghai LIU DAHONG (CHINA, B. 1962) Estimate: USD 8,000 - 12,000
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