Estimates do not reflect the final hammer price and do not include buyer's premium, any applicable taxes or artist's resale right. Please see the Conditions of Sale for full details.
You have agreed to be bound by the Conditions of Sale and if your bid is successful, you are legally obliged to pay for the lot you have won. The purchase price for a successful bid will be the sum of your final bid plus a buyer’s premium, any applicable taxes and any artist resale royalty, exclusive of shipping-related expenses.
Condition report
A Christie's specialist may contact you to discuss this lot or to notify you if the condition changes prior to the sale.
The condition of lots can vary widely and the nature of the lots sold means that they are unlikely to be in a perfect condition. Lots are sold in the condition they are in at the time of sale.
Cette œuvre est vendue sans cadre. L'œuvre n'est pas sur sa toile d'origine. Un papier kraft de bordage court le long des bords. Quelques fines craquelures de séchage sont visibles par endroits sur la surface, principalement dans le quart supérieur droit. Deux autres, légèrement plus visibles, sont dans un bras de la femme à la robe jaune et le long du bord droit vers la partie inférieure. Deux points de manque de matière sont visibles dans le quart supérieur droit, vers le bras de la femme à la robe rouge et le long du bord gauche vers la partie inférieure. Présence de quelques points d'accrétion par endroits sur la surface. Examinée à la lumière UV: présence de très fines zones de repeint dans le quart supérieur droit. Sous réserve de ce qui précède, selon notre opinion, l’œuvre est en bon état général de conservation.
This work is sold without a frame. The work is lined. A kraft framing paper is along the edges. A few fine drying cracks are visible in places to the surface, mostly to the upper right quadrant. Two others, slightly more visible, are to an arm of the woman in a yellow dress and along the right edge towards the lower part. Two small points of paint losses are visible to the upper right quadrant towards the arm of the woman in a red dress and along the left edge towards the lower part. There are a few pinpoint accretions in places to the surface. Examined under UV light: there are very thin areas of inpainting to the upper right quadrant. Subject to the foregoing, it is our view that the work appears to be in overall good condition.