Lot 37
Lot 37
THE COLLECTION OF FLORENCE AND HERBERT IRVING
A BAMBOO-FORM YIXING TEAPOT AND COVER, 'BAMBOO BECOMING REAL'

LU WENXIA (B. 1966)

Price Realised USD 4,375
Estimate
USD 2,000 - USD 3,000
Estimates do not reflect the final hammer price and do not include buyer's premium, any applicable taxes or artist's resale right. Please see the Conditions of Sale for full details.
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A BAMBOO-FORM YIXING TEAPOT AND COVER, 'BAMBOO BECOMING REAL'

LU WENXIA (B. 1966)

Price Realised USD 4,375
Register
Price Realised USD 4,375
Register
Details
Potted as a broken stalk of bamboo, with a small ladybug on the finial of the flat cover and on the top of the mouth; the front side with an inscription describing pure and simple, the tall stalk with a further four character inscription huaide junzi ('a man of complete virtue'), a square seal 'Lu Wenxia yin (seal by Lu Wenxia)' to the base with a small oval seal 'Wenxia' above the foot, an additional small oval seal to the cover
6⅜ (16.2 cm.) in. high


Provenance
Garth Clark Gallery, New York, 19 December 1992.
The Irving Collection, no. 36Y.
Exhibited
New York, Garth Clark Gallery, December 1992.
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Lot Essay

Lu Wenxia, a female artist, was born in 1966 in Yixing, Jiangsu province. She began her career as a disciple of the Yixing pottery master Xu Xiutang (maker of lots 6 and 50). Lu respects the Yixing pottery-making traditions but also innovates in her presentation of classic subjects. She is known as a master of capturing details from daily life and objects. Her approach to imitating bamboo, one of the most common classical subjects within Chinese art, is unique and lively. Lu’s pieces depict the imperfections of the bamboo by recreating the natural wormholes and decay on the surface. Lu often adds a tiny ladybug onto the bamboo, positioned as if it is about to fly away, to represent the transience of time and life; this ladybug has become a signature of the artist. Some of her other naturalistic works are in the collection of Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution, Washington, D.C., Asian Art Museum, San Francisco, and in the collection of Ziguangge, Beijing.
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Contemporary Clay: Yixing Pottery from the Irving Collection
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Condition report

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