The condition of lots can vary widely and the nature of the lots sold means that they are unlikely to be in a perfect condition. Lots are sold in the condition they are in at the time of sale.

In addition to the catalogue description, each the full sheet, each in generally good condition

Late Afternoon in the Museum of Modern Art, from In the Museum of Modern Art (H. 50): on Rives BFK paper, there were also twenty artist's proofs, published by Petersburg Press, London and New York
Pale areas of discoloration in places on the reverse
Sheet: 29³⁄₄ x 39¹⁄₄ in. (756 x 997 mm.)

Early Evening in the Museum of Modern Art, from In the Museum of Modern Art (H. 51): on grey Rives BFK paper, there were also twenty artist's proofs, published by Petersburg Press, London and New York
Occasional areas of rubbing in places in the black ink, an unobtrusive area of skinning at extreme left sheet edge (with associated minor ink loss), a ¹⁄₄-in. tear at the extreme upper right sheet corner, tape remains in places on the reverse sheet corners and edges, stray ink in places on the reverse sheet
Sheet: 29¹⁄₄ x 38¹⁄₂ in. (743 x 978 mm.)

Souvenir (H. 64): on Arches Aquarelle paper, there were also twenty artist's proofs, published by Petersburg Press, London and New York
Surface soiling in places, rubbing in places in the matte black ink, pale mottling in places (primarily at the lower right sheet corner), diagonal creases at the upper right and lower sheet corners, a nick at the upper right sheet edge
Sheet: 45 x 54⁷⁄₈ in. (1143 x 1394 mm.)

Please note consists of three unframed prints.