Three Prints by the Artist

The condition of lots can vary widely and the nature of the lots sold means that they are unlikely to be in a perfect condition. Lots are sold in the condition they are in at the time of sale.

In addition to the catalogue description,

(Scottish Arts Council 110; Museum of Contemporary Art Tokyo 107) on J. Green paper, signed and dated in pencil, numbered 43/75, published by Petersburg Press, London, with full margins, uneven pale light-staining and pale time staining, occasional foxmarks on the reverse (slightly showing through including in the image), the reverse sheet toned, framed

(Museum of Contemporary Art Tokyo 241; Gemini 920) on John Koller HMP paper, signed and dated in pencil, numbered 15/100 (there were also 20 artists proofs), published by Gemini G.E.L., Los Angeles, with their blindstamps and inkstamp on the reverse, the full sheet, surface soiling along the left sheet edge, otherwise in good condition, framed

Sheet: 20 ½ x 17 ½ in. (521 x 444 mm.)

(Scottish Arts Council 53; Museum of Contemporary Art Tokyo 53), on Crisbrook paper, signed and dated in pencil, numbered 4/75 (there were also 25 impressions on Vellum in Roman numerals), published by Editions Alecto, London, with full margins, very pale time staining, the sheet slightly toned, a soft horizontal crease in the lower margin measuring the length of the paper, a foxmark in the lower margin, occasional soft handling creases in the margins, hinged on the reverse upper sheet (slightly showing through), framed

Image: 13 ¾ x 9 in. (349 x 228 mm.)
Sheet: 22 ¼ x 15 ½ in. (565 x 394 mm.)

The condition of lots sold can vary widely due to factors such as age, previous damage, restoration, repair, and wear and tear. The nature of the lots sold means that they will rarely be in perfect condition. Lots are sold in the condition they are in at the time of sale.