The condition of lots can vary widely and the nature of the lots sold means that they are unlikely to be in a perfect condition. Lots are sold in the condition they are in at the time of sale.

In addition to the catalogue description, each the full sheet or with full margins, in generally good condition,

Antonio Clavé, Carmen: on Arches paper, pale time staining, a soft crease at the lower left sheet corner, hinged to the support in places on the reverse sheet edges

Léonor Fini, Tristan und Isolde: on special vellum paper, occasional soft creases at the sheet corners

Richard Lindner, Der Rosenkavalier: on Arches paper

Marino Marini, La Traviata: on Arches paper, a soft crease at the lower left sheet edge, pale surface soiling in places on the reverse upper left sheet corner

André Masson, Don Giovanni: on Arches paper, titled in pencil, occasional pale surface soiling in places in the unprinted area and in places towards the reverse upper left sheet corner

Larry Rivers, Madama Butterfly: on Arches paper, a foxmark in the yellow ink in the lower left quadrant, a 2-in. crease at the extreme upper left sheet edge, a 1¹⁄₂-in. crease at the extreme lower sheet edge in the subject's chin, a pinpoint area of discoloration toward the lower left sheet corner, hinged to the support in places on the reverse sheet edges, framed
Sheet Irregular: 22¹⁄₂ x 30¹⁄₂ in. (546 x 775 mm.)

Paul Wunderlich, Aïda: on Rives BFK paper

Jamie Wyeth, La Bohème: on Arches paper

Please note this lot consists of six unframed prints in a portfolio and two framed prints.