Details
The U-form crestrail and arms on baluster-turned supports with figural head finials, the scrolling and floral vine pierced medallion splat above a circular caned seat with molded edge and plain apron, on six acanthus-headed cabriole legs joined by shaped gadrooned rails and ball-turned stretchers, on paw feet
36 in. (91.5 cm.) high, 31 in. (79 cm.) wide, 26 in. (66.5 cm.) deep
FURTHER DETAILS
This lot is located offsite in New York and is available to view by appointment only. Please email BurdenInquiries@christies.com to schedule an appointment. Please be advised this lot has been inspected by a Christie's representative. Title to the lot will transfer to the buyer upon receipt of payment in full from the buyer. Following the auction, please email postsaleus@christies.com to facilitate collection or shipment of the lot from its current location to the buyer. Please be advised this lot is still subject to our Conditions of Sale.
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Lot Essay

'Burgomaster' or 'roundabout' chairs appear first to have been made in the former Dutch colonies of Indonesia, Sri Lanka and India in the late seventeenth century and are distinguishable by their semi-circular backs, round caned seats and six legs joined by radiating stretchers. These chairs were exported chiefly to Holland and then sold in England and other European countries where, probably because of their Dutch origins, they became known from the mid-nineteenth century onwards as 'burgomaster' chairs. Made of native woods, Indonesian examples were typically constructed of teak and were commonly decorated in scarlet lacquer while Sri Lankan (historically known as Ceylon) models were often made of satinwood (see chairs of virtually identical form in J. Veenendaal, Furniture from Indonesia, Sri Lanka, and India during the Dutch Period, Delft, 1985, pl.128 and 129). As early as the eighteenth century, Dutch cabinetmakers produced copies of this popular form in oak and walnut.

Burgomeister chairs appear in the collections of many of England's great country houses including Grimsthorpe, Lincolnshire (an example is shown in the Entrance Hall in C. Latham, In English Homes, vol. I, London, 1909, p. 59), Kingston Lacy, Dorset (illustrated op. cit, p. 341), and Lyme Park, Cheshire (P. Macquoid and R. Edwards, The Dictionary of English Furniture, vol. I, London, 1924, p. 229, fig. 75). Other examples of this form are illustrated in P. Macquoid, The Age of Mahogany, London, 1906, p. 61, figs. 49 and 50.

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