A native of Cixi, Zhejiang, Wang Hsin-heng (1908-1987) enrolled in Shanghai University in his early years and studied in the Soviet Union in 1926, where he was classmates with Chiang Ching-kuo. Upon his return to China, he joined the Military Affairs Commission of the National Government in 1932 and became one of Chiang Kai-shek’s personal staffs. At the outbreak of the Second Sino-Japanese War, Wang was transferred to Hong Kong and served as the head of the Bureau of Investigation and Statistics. Following victory, he returned to Shanghai and was elected as one of the first legislators. He moved back to Hong Kong in 1949 and later Taiwan, where he was a member of the Legislative Yuan Diplomatic Committee. In time, Wang pursued careers in business, including chairman of the Asia Cement Corporation and executive director of Far East Textiles.

From a young age, Wang indulged in painting and writing calligraphy as his leisure pursuits. As Wang became an important government official, he was introduced to many prominent artists, subsequently leading to his impressive collection. Coinciding with Taiwan’s flourishing art scene in the mid-20th century, Wang’s relocation enabled him to be acquainted with more artists, including Zhang Daqian.

A well-connected and gregarious man, Wang collected a diverse range of artistic work, some of which, including Zhang Daqian’s Verdant East Lake (Lot 1055), will be part of Christie’s “Fine Chinese Modern and Contemporary Ink Paintings” auction. Wang Hsin-heng passed in 1987 and his son, Wang Yifang, later donated part of the family collection to the National Palace Museum. A distinguished presence during his lifetime, Wang Hsin-heng is fondly remembered for his splendid art collection.

Liu Yantao studied at Peking University, and was taught by Hu Peiheng (1892-1962) and laid the foundation for his painting. Hu later introduced him into the National Palace Museum as the editor of the Palace Museum Calligraphy and Painting Collection and had the opportunity to browse ancient paintings and calligraphy. He was a master of poetry, calligraphy and painting. His calligraphy is based on the Han and Wei monuments and greatly influenced by the Jin and Tang styles. The Discussion on Cursive Calligraphy written by him is the first systematic discourse in Chinese calligraphy history. He helped to edit Standard Cursive with Yu Youren (1879-1964), thoroughly analyze the gestures of famous cursive artists of previous generations.