A Set of Twenty-Four Inksticks Depicting the Illustrations of Agriculture and Sericulture with box
Each inkstick measures 7 cm. (2 ³⁄₄ in.) in length
Box measures 23 cm. (9 in.) in length
NOTE: There are twenty sticks depicting sericulture, three sticks depicting agriculture. Each carved with an imperial poem on the reverse. One inkstick carved with the Preface to Illustrations of Agriculture and Sericulture.

Rectangular Inkstone
17 cm. (6 ³⁄₄ in.) in length

“Bamboo Motif” Inkstone
19 cm. (7 ¹⁄₂ in.) in length

“Five Bats” Inkstone
15 cm. (5 ⁷⁄₈ in.) in length
Flower and bird painting carved on the reverse

“Plantain Leaf and Lady” Motif Inkstone
17.5 cm. (6 ⁷⁄₈ in.) in length

Dunhuang Mural Rubbing
Hanging scroll, ink on paper
104 x 65.5 cm. (41 x 25 ³⁄₄ in.)
With one seal of Dunhuang Fine Art Research Center

Mr Y.K. Shukla was born in 1907 in Porbander, Gujarat, India and studied drawing and painting in Bombay. He received the Meyo Medal, the highest award for an art student in India; then, in 1934, he moved to Italy to study at the Royal Academy of Fine Arts in Rome, where he graduated with honours in 1939.
In 1947, Shukla won a scholarship from the Indian government to study Chinese painting at the National Institute of Fine Arts in Beijing. Whilst in Beijing, he studied under the internationally celebrated artist Xu Beihong, got to know several Chinese artists, and visited private collections of Chinese paintings owned by collectors and artists. Shukla became close friends with Qi Baishi, Xu Beihong and other Chinese artists of the 20th century. With their advice, Shukla assembled a fine collection of modern Chinese paintings, including the current lot. Christie's is honoured to present the family collection of Mr Shukla, including several calligraphy, paintings, letters, photos of the artist, and art books signed by many painters and scholars during his time in China. Most of the collections were acquired directly from the artists as gifts, showing the deep friendship between Mr Shukla and the artists. Through their interaction, the collection depicts the historical context of artistic exchanges between China and India in the first half of the 20th century.