Details
Tapering rectangular, formed of mother-of-pearl panels in gold cagework chased with geometric motifs and set on the front panel with a miniature on vellum of Gustave III of Sweden after a portrait by Gustaf Lundberg (1695-1786) and on reverse with initial G both within frame of diamonds, the cover applied with pierced panels reading 'Souvenir' on one side and 'd'amitié' on the other side, lacquered inside in red and with gold-mounted pencil, apparently unmarked

Size/Dimensions: 8.5 cm. (33⁄8 in.) high
Gross weight: 98.8 gr. (3 oz. 3 dwt.)
Provenance
Acquired at David Lavender, London, 1992.
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Lot Essay

The delicate colours of this étui à tablettes are remininscent of what we commonly call today "Gustavian blue". This grey-blue palette was indeed popularised by Gustav III after he visited the French court and Versailles. Indeed Gustav III decided to introduce a Swedish version of French Neoclassicism more suited to Sweden so that interiors were adapted using painted finishes in light, reflective colours, including soft greys, pale blues, blue-greys, and off-whites.

Gustav III of Sweden (1746-1792) reigned as King of Sweden from 1771 until his assassination in 1792. Renowned as an enlightened monarch and a great patron of the arts, he strengthened royal authority through a coup d'état in 1772 and promoted cultural and intellectual life in Sweden. A passionate admirer of French culture, he founded the Royal Swedish Opera and the Swedish Academy, helping to establish Stockholm as a major artistic centre. His reign also saw important political and judicial reforms, although his increasingly autocratic rule provoked opposition among the nobility, culminating in his assassination at a masked ball in Stockholm in 1792.

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